Big screen debut in A Dangerous Game

A-Dangerous-Game

That headline is perhaps slightly misleading, in that I’ve not appeared in Anthony Baxter’s latest film, A Dangerous Game, but some footage I filmed has. Let me explain…

Between 2011 and 2014 I was lucky enough to be involved with Scotland’s finest cinema, the Screen Machine, a mobile unit which takes films to some of the most remote areas of the country. It’s a brilliant concept and I helped raise awareness of the venture, win sponsorship/funding, start an education pilot and carry out a few other tasks before funding ran out in April this year.

One of the films we screened was Anthony Baxter’s explosive You’ve Been Trumped, which investigated the Scottish Government’s decision to change environmental laws to allow US tycoon, Donald Trump, to destroy some of the Scottish coastline to build a golf course. The millions of pounds he promised to invest never materialised and the story of Trump’s intimidation of the residents made for compelling viewing.

As part of my job, I filmed the cinema in action around the country, most notably on the isle of Mull and on the islands of Coll and Tiree (you can see the videos below). When Anthony got in touch to ask if we had any footage of the Screen Machine for his latest film, for a sequence illustrating where the first film had been screened, I was happy to send over my raw footage.

Some of that footage has ended up in A Dangerous Game, which is now being released in UK cinemas. Admittedly it’s only a few seconds, but I’m happy to be part of the film, which looks at where things are now with Trump and his Scottish investments. I also spotted my name in the credits for “additional camera”, so that IMDb entry can’t be far behind.

Find out more about the film over on the official website and watch the trailer below, before having a look at the Screen Machine in action (and if you’re ever heading to the Highlands, visit the website to see if you’re anywhere near it, tell them I sent you):

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Covering Edinburgh International Film Festival 2014

The Edinburgh International Film Festival has been and gone for another year, 11 days of premieres, special events and assorted film madness that I’ve been covering for both BBC Radio Scotland and WOW247.co.uk.

As in previous years (it’s my seventh as press), I’ve been trying to see as many films as possible before interviewing members of the cast and production teams involved. I appeared live on the BBC Radio Scotland Culture Show on 19th June, with two packages being broadcast on the 26th June. My interviews with Cold in July director Jim Mickle and Braveheart star, Brian Cox, will be on iPlayer for a few more days.

I also filmed a number of videos for entertainment website WOW247, a spin-off from my old haunt at the Edinburgh Evening News. As well as attending the opening night film, Hyena, I spoke to Brian Cox about 20 years of Braveheart, met an ex-Hobbit by the name of Elijah Wood and spoke to Don Johnson about his latest film. Those videos, and a few more, can be watched via the website.

Filming on Coll and Tiree

Last month I once again followed the Screen Machine on her travels around Scotland, this time visiting the islands of Coll and Tiree as part of the cinema’s 15th anniversary celebrations.

I’ve been co-ordinating a number of events since February, and the cinema’s first visit to Coll (population 200) and return visit to Tiree (population 800) after an 11 year absence, was one to record for posterity.

The film can now be watched over on the Creative Scotland website.

New iPad magazine in iTunes

HOSF cover

It was just over a year ago that I wrote about a new iPad magazine I’d worked on for the Highlands of Scotland Film Commission.

Earlier this year, I headed up to Skye to start work on issue two of the magazine, interviewing a number of local filmmakers and educators. I visited Sabhal Mòr Ostaig college to speak to staff, while Chris Young, producer of The Inbetweeners, discussed his base on Skye.

The app also features a look around Skye’s best filming locations and a few other features of interest to production teams planning to shoot in the area.

Chris Young video

Alongside the written content, this issue includes some short video interviews I filmed/edited during the trip.

The magazine can now be downloaded for free over on iTunes for iPad and iPhone.

Set jetting on the Côte d’Azur

Web Banners

Back in January I mentioned that I’d just returned from a 10-day trip to the Côte d’Azur as a guest of the local tourist board, who were keen to highlight the region’s film connections to potential visitors.

Since then I’ve been putting together a new blog, www.filmtravellercotedazur.com, which will see me cover the trip via blog posts, photos and video content over the next few months.

Filming near the village of Eze

Filming near the village of Eze

The blog launched in Paris a fortnight ago (I sadly couldn’t make it to the event), with the following, slightly tongue-in-cheek, trailer announcing our plans:

There are plenty more towns and villages still to come on the blog and it’s been fascinating researching the numerous film connections since my return home.

Along with my 2012 tour of locations used in the Disney-Pixar film, Brave, it’s been a good time for set jetting.

Celebrating rural cinema with Screen Machine 15

Screen Machine at Gruinard Bay

Last year I wrote a few posts about my work with Scotland’s mobile cinema, the Screen Machine, which takes the latest films to remote and rural areas of Scotland throughout the year.

My role was mainly to manage social media and promote the cinema in the press, including getting out and about around Scotland to make some short videos about the Screen Machine’s work.

Screen Machine on Mull from Screen Machine on Vimeo.

Aware that 2013 was the 15th anniversary of the cinema, I began working on an idea for a year of celebrations which would allow us to attempt to do more with the programme. While the Screen Machine is about to break its own box office records in 2012/13 thanks to titles such as Brave and Skyfall, there’s never been an opportunity to carry out the sort of special screenings and film events that are taken for granted in large towns and cities.

Now, after a successful application to Creative Scotland’s Public Engagement fund, I’m pleased to announce that I’ll be I’ll be devising, organising and helping to deliver a series of film-related screenings, events and education workshops around the Highlands and Islands as part of what we’re calling “Screen Machine 15” – there’s more detail on the website.

It’s still early days for the project but things are moving apace behind the scenes, with the full programme available in May.

Glasgow Film Festival coverage

Joss Whedon at Glasgow Film Festival

Joss Whedon at Glasgow Film Festival

The 2013 Glasgow Film Festival finished a week ago, eleven days of premieres and special events which brought filmmakers and film fans to the Glasgow Film Theatre and other venues around the city.

This year found me covering the event for the BBC Movie Café, interviewing actors such as James D’Arcy for Cloud Atlas and Gemma Arteron and Saoirse Ronan for Byzantium, while writer/director Joss Whedon was in town to promote his low-budget adaptation of Shakespeare’s Much Ado About Nothing.

My overview of the Festival aired last Thursday on BBC Radio Scotland – it’s on iPlayer for the next few days.

I also visited the brand new BFI Mediatheque at Bridgeton Library, a resource which houses thousands of hours of film and TV which would otherwise be unavailable. I took my iPhone along and recorded a video interview with Mediatheque curator, Simon McCallum for ReelScotland.